Features a hand embroidered emblem at the back, inspired by Islamic Nomadic Embroideries which were employed to make camel covers and cushions. The coat is made up from re-purposed vintage denim jeans, and dead-stock Italian denim , all of which have been pre-washed. The lining is floral woven satin and plain satin (both synthetic. Buttons are assorted vintage military, brass.

A large white vintage cotton tablecloth with lace inserts, and lace edged hem ruffles;

and a Victorian inspired lace ruffle collar.

The dress has an invisible zipper closure at the back. The shoulder line has a cap sleeve effect. The dress is cut in twelve panels which gently flare into a full skirt shape.

The collar is created from vintage eyelet and gauze lace and ribbons and ties around the high neckline. The dress can be worn with or without the collar.

A man’s white business shirt, combined with an art print scarf by Basquiat coming from the Museum of Modern Art, Washington, USA. Sleeves are decorated with feather trim, and a voluminous asymmetric skirt of assorted prints and checked fabrics.